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Writer's pictureRealityBlows

Beetlejuice Beetlejuice (2024) - Tim Burton's Renaissance?

Dir: Tim Burton

Studio: Warner Bros. Pictures

Review by Robbie Fleming


I'm happy to say that this is Burton’s best directorial effort since Sweeney Todd (2007). His signature style and artistic vision are on full display here. The production design is top-notch, the costumes and makeup are impeccable, and the cinematography captures some truly stunning visuals. I also appreciate the use of practical effects over heavy CGI, which really lets Burton’s creativity shine.

Michael Keaton’s return as Beetlejuice feels seamless, and he gets even more time to shine in this film. Winona Ryder and Catherine O’Hara also reprise their roles with the same energy they brought to the original, delivering fun and memorable performances. Willem Dafoe and Monica Bellucci, as new additions to the cast, fit right into Burton’s quirky world.

But the standout performance for me is Jenna Ortega, who plays the teenage daughter of Ryder’s character. While it’s a role that feels familiar for Ortega, she fully embraces it, channelling the same energy that Ryder brought to the original. Ortega continues to prove she’s a rising star with another stellar performance.

And, of course, Danny Elfman returns with another fantastic score. It perfectly complements the film while maintaining the same vibe as the original. His music keeps the energy up and enhances the atmosphere, making the world feel lively and immersive. I also enjoyed the new needle drops that added a fresh mix to the soundtrack.

While the film excels in humour, world-building, and character development, it does struggle with juggling too many plotlines. Some interesting story arcs are introduced, but they don’t all land and a few are wrapped up too abruptly. Additionally, the third act feels a bit too familiar, echoing the original film's finale, and Lydia’s new love interest comes off as somewhat generic.

Overall, Beetlejuice Beetlejuice is a delightful return to form for Burton and his best film since Sweeney Todd. Despite some convoluted plot points, the film shines with its characters, world-building, humour, performances, score, cinematography, and Burton’s signature direction. I’m giving it a solid 8/10 and 4 out of 5 stars—the same rating I gave the original film. 


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